Love Minus Zero / No Limit - Bob Dylan
Love Minus Zero / No Limit - by Bob Dylan
My love she speaks like silence
Without ideals or
violence
She doesn't have to say she's faithful
Yet she's true, like ice, like fire
People carry roses
And make promises by the hours
My love she laughs like the flowers
Valentines can't buy her.
In the dime stores and bus
stations
People talk of situations
Read books, repeat quotations
Draw
conclusions on the wall
Some speak of the future
My love she speaks
softly
She knows there's no success like failure
And that failure's no
success at all.
The cloak and dagger dangles
Madams light the
candles
In ceremonies of the horsemen
Even the pawn must hold a
grudge
Statues made of match sticks
Crumble into one another
My love winks, she does not bother
She knows too much to argue or to judge.
The bridge at midnight
trembles
The country doctor rambles
Bankers' nieces
seek perfection
Expecting all the gifts that wise men bring
The wind howls
like a hammer
The night blows rainy
My love she's like some raven
At my
window with a broken wing
...................................
In the 'well-made pop song' the is usually also the hook line around which the song is built. Dylan's titles of that mid 60's period were an artform in themselves and the title often wasn't to be found anywhere else in the song at all. Here we have a clever mathematical title that could probably stand on its own as a short poem!
Generally supposed to be 'about' Sara, the song's lyric is very Zen like with it's paradoxical statements such as
- "There's no success like failure and failure is no success at all' ' My love speaks like silence.
The lady in question has a zen like equanimity while the rest of the world rat races on in it's socially conditioned way.
There's something elemental about her, unaffected, like ice, like fire. Her Eastern Zen like qualities of being true, not bothering, not easily impressed by conditioned male gestures of romantic love (Roses) or material notions of success and failure and thus Western dualism, the emptyness of everyday conversation, not holding grudges, beyond arguments and judging are contrasted with the Western norms of violence, loudness, untrustworthyness, buying and selling, making empty promises, trying to be a 'success', holding grudges, seeking perfection and rewards.
Whoever it may be 'about' isn't the point because the song cleverly and very poetically juxtaposes Western and Eastern philosophy and culture and attempts to challange the way we think - recognise our socially conditioned notions of 'free will'!
Even with the threat of Armageddon (Ceremonies of the Horsemen) she too above it all to bother. Such is the nature of Zen equanimity and enlightenment.
True he may have used Sara as a muse and focus and it may be one of the most beautiful love lyrics in the whole of time but the song is a powerful philosophy lesson and highly challanging. This was not written in his so-called 'Protest' period but what a subtle and powerful protest against western thought this is and written in such a way that we don't even notice the protest as we are lulled by the beauty of the words and the melody and his tribute to the lady of the song.
As with so many of Dylans 60's lyrics - so many of the lines or phrases have been lifted as popular quotations -
There is a much use of synecdochic - a form of metaphor defined as -
- A synecdochic metaphor is one in which a small part of something is chosen to represent the whole so as to highlight certain elements of the whole. For example "a pair of ragged claws" represents a crab in Eliot's Love Song of J. Alfred Prufock. Describing the crab in this way gives it the attributes of sharpness and savagery normally associated with claws.